A grid is truly successful only if, after all the problems have been solved, the designer rises above the uniformity implied by its structure and uses it to create a dynamic visual narrative of parts that will sustain interest page after page. The greatest danger in using a grid is to succumb to its regularity…. [Read more]
Sometimes design work is particularly difficult. The obvious, clear design refuses to reveal itself, and the text and pictures just don’t flow properly. The reason might be that the designer has become too attached to a particular element and fails to see that this is what is blocking production of a good design. The solution… [Read more]
It is important for designers always to ask themselves, ‘is this element necessary or superfluous?’ In the vast majority of cases, on e can take out an image or part of a text without disturbing a message. It is in fact possible to pare down a design to much greater degree than you might think…. [Read more]
Headlines have to work as optical magnets, drawing the readers’ eyes so they don’t miss any interesting news. They also have to convey the main content of the article and generate a desire to read it. So what is it that makes a good headline? the old newshound at the corner desk knows: a simple,… [Read more]
Layers are much like pieces of clear film that you could place on a table. The layers themselves are clear, but anything placed on one of the layers will be positioned on top of the layers that are located beneath it. [Read more]
The psychological properties of color depend highly on a viewer’s culture and personal experience. Many cultures equate red with feeling of hunger, anger, or energy because red is closely associated with meat, blood and violence. By contrast, vegetarians might associate the color green with hunger. Best Graphic Design Studio for all your graphic needs at… [Read more]
