Before You Begin
- Prep Your Canvas: Dampen your canvas with clean water using a big soft brush or a mister. This helps acrylics stay workable and makes blending easier.
- Pre-moisten Your Palette: Use a water sprayer or lightly damp paper towel beneath your paint blobs to keep your acrylics from drying too fast.
- Keep Tools Ready: Gather a 4โ square brush, large oval brush, filbert brush, detailed square and round brushes, ultra-soft blending brush, palette knife, liner brush, and clean towels for wiping.
Essential Painting Tools
- 4โ Square Brush โ For large area coverage and blending backgrounds.
- Large Oval Brush โ Useful for soft blending and creating smooth transitions.
- Filbert Brush โ Great for softer edges and blending landforms and highlights.
- Detail Square Brush โ For adding precise highlights, details, and cloudwork.
- Round Brush โ Perfect for painting tree silhouettes and organic shapes.
- Ultra-Soft Blending Brush โ For final blending and smoothing out brush strokes.
- Palette Knife โ Ideal for adding sparkling effects and creating crisp edges, especially in the water.
- Liner Brush โ Best for detailing, such as thin grass and finishing sparkles.
- Clean Towels or Paper Towels โ For wiping brushes and removing excess moisture or paint during blending.
Be sure to also have a water container for rinsing brushes and a palette for mixing your paints. Happy Painting!

- Miscellaneous:
- Palette (for mixing paints).
- Water container (for rinsing brushes).
- Paper towels (for wiping excess paint).
- Hairdryer or heat gun (optional, for speeding up drying).
Here is a comprehensive, step-by-step painting guide based on UrArtStudio’s tutorial for How to Paint a Night Time Lighthouse Scene | City Lights Reflection.
Preparation & Materials
Recommended Canvas
- Size: 12ร14โ (or preferred size)
- Level: Beginner to Intermediate
Color Palette
- Darks & Cools: Black, Violet, Phthalo Blue, Phthalo Green
- Earth & Warmth: Burnt Sienna, Indian Yellow
- Highlights: Titanium White
Essential Tools
- Large 4โ Square Brush (Background block-in)
- Large Oval Brush (Soft blending and transitions)
- Filbert Brush (Landforms & shorelines)
- Small Detail Square Brush & Liner Brush (Lighthouse details, city glints, and fine lines)
- Ultra-Soft Blending Brush (To remove brush strokes)
- Palette Knife (Sharp lines and bright shoreline reflections)
Step-by-Step Instructions
Night Time Lighthouse Scene: Step-by-Step Painting Guide
Capture the dramatic contrast between the natural power of a lightning storm and the warm, inviting glow of a distant coastal city.
Materials Needed:
- Canvas: 12×14″ (or preferred size)
- Paint Colors: Black, Prussian Blue, Magenta, Yellow, Orange Red, Titanium White.
- Brushes: URARTSTUDIO Oval Brush (essential for blending), Large flat brush (100mm/4 inch), Small flat brush, and a Fine Liner brush.
- Extra Tools: Heat tool (optional for fast drying).
Step 1: Creating the Atmospheric Sky
The sky sets the mood for the entire piece.
- Dark Base: Use a large brush to apply Black and Prussian Blue around the outer edges of the top half of the canvas, creating a dark frame.
- Color Center: While the edges are wet, apply Magenta in the center-left area.
- Blending: Use the Oval Brush in circular and sweeping motions to blend the magenta into the blues and blacks. The goal is a soft, misty transition that looks like clouds illuminated by distant light.
Step 2: Painting the Lightning
- The Strike: Use a Liner Brush with thinned Titanium White. Paint a jagged, “nervous” line starting from the brightest part of the magenta clouds down toward the horizon.
- Branching: Add smaller, thinner branches shooting off the main bolt.
- The Core: Go over the main bolt again with a slightly thicker application of white to make it appear electric.
Step 3: The Land and Lighthouse Silhouette
- Coastline: Using a small flat brush and Black, paint a low hill/coastline silhouette starting from the right side and tapering off toward the middle.
- Lighthouse Structure: Paint a tall, slightly tapered rectangle for the lighthouse body on top of the black hill. Add a small “hat” (the lantern room) and a railing silhouette at the top.
Step 4: Lighting the Lighthouse
- The Beacon: Place a bright dot of Titanium White in the lantern room. Surround it with a soft glaze of Yellow and a hint of Orange to create a glowing effect.
- Body Detail: Paint the lighthouse with alternating stripes. The video uses White for the middle section and Orange Red for the bottom section to give it character.
- Windows: Add 2-3 tiny black dots down the side of the lighthouse to represent windows.
Step 5: Distant City Lights
- The Glow: Along the black coastline, use a small brush to stipple (dab) tiny dots of Yellow, Orange Red, and White.
- Variation: Vary the size and clusters of these dots to simulate buildings and streetlights. This creates a sense of life and distance.
Step 6: The Ocean and Reflections
This step brings the water to life.
- The Water Surface: Use a large flat brush with Black and Prussian Blue to fill the bottom half of the canvas.
- City Reflections: Beneath the city lights, load a brush with the corresponding colors (Yellow/Orange) and pull the paint vertically down into the wet black paint.
- Lighthouse Reflection: Pull a long vertical stroke of White/Orange down from the base of the lighthouse.
- Softening: Use the Oval Brush to lightly sweep horizontally across these vertical reflections. This “breaks” the reflection and makes it look like it’s on moving water.
Step 7: Waves and Shoreline Details
- Foam & Ripples: Use the Liner Brush or the edge of a flat brush with Titanium White to add thin, horizontal “scribble” lines across the water surface, especially near the horizon and the foreground.
- Shoreline Glow: Add a bit more Magenta or Prussian Blue to the very bottom of the canvas to suggest light hitting the shallow water near the viewer.
- Final Highlights: Touch up the lightning Bolt or the lighthouse beacon to ensure they are the brightest points of the painting.
Pro Tips for Success:
- Oval Brush Blending: Keep the Oval Brush relatively dry when blending the sky. If it gets too loaded with paint, wipe it on a paper towel to maintain the soft “airbrushed” look.
- Reflection Logic: Remember that reflections are always directly beneath the light source. If a city light is on the left of the hill, its reflection must be directly under it in the water.
- Lightning Movement: When painting lightning, don’t try to be too neat. Fast, shaky movements of the hand create a much more natural, high-energy bolt.
For more techniques and inspiration, visit the URARTSTUDIO YouTube Channel.







Leave a Reply
You must be logged in to post a comment.